Category

The Nights of the Living Drexel (1988-1994 and 2000)

The Time Before Time, when sacrifices and unholy rituals were held at the blood shrine known as the Drexel North. This ghostly apparition, now but a mere ruinous husk of a memory. The birthplace of the terror we now crave.

The Rites of Shocktoberfest (1997-1998)

Whereupon the cursed and the damned alike were drawn into the den of sorrow known as the Drexel Grandview.

The Nightmares at Studio 35 (1999-2003)

Whereupon all who dared to wander fell prey to unholy nightmares and the devastation of their psyche in the festering pit that is Studio 35.

The Incredible Two Headed Marathons (2004-2008)

The tale of the triumphant return to that gateway of the Abyss, the Drexel Grandview. Led by a two-headed horror from beyond the void, ravenous for the flesh of its victims.

Shocking Around the Clock (2009-Present)

The inglorious resurrection of the lair of ultimate evil, the Grandview Theatre (complete with a fiendishly undead new overlord.) Shocking Around the Clock and feasting on the souls of the damned.

The Lunatic Fringe (Various)

A random series of events, all culminating in a chillingly insidious orchestration of terror. Not all of these events are part of the Marathon Canon ... some may never have even happened at all.

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Flier for 1998 Marathon658 views*The first SHOCKTOBERFEST was enough of a success to warrant a second go at it the following year. By this time, I had replaced Tim Martin (who had departed for the newly opened Marcus Cinemas Pickerington) as manager of the Drexel Grandview. I subsequently took over the bulk of the organizing and booking with Jeff Frank.
*This was the first Columbus Marathon to be emceed by someone other than Bruce. Yes, the experience was petrifying.
*The print of KUNG-FU CANNIBALS (which we later found out to be the 1982 Cameron Mitchell actioner RAW FORCE) was to emanate from the vaults of Hollywood sleaze maven Johnny Legend. However, at the last minute Johnny could not find the print. Hence, we replaced it with the Ohio Premiere of SIX STRING SAMURAI.
*The lobby theme (and staff costumes) for this year was the Miskatonic University 13th Anniversary Class Reunion.
*This was the first Marathon where I booked THE HUNGER as part of the lineup (it also screened at the 2003 NIGHTMARE AT STUDIO 35.) In subsequent years, a vocal minority has developed that believes I keep booking THE HUNGER out of spite for the audience, and that I spend my weekends watching it and SUSPIRIA back to back in a loop. That supposition is only half correct. (Neff)
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